The Grammys have changed a great deal this decade. For this present year, a couple of option craftsmen who discharge music through autonomous marks are up for two of the appear's "huge four" honors. In any case, while Alabama Shakes and Courtney Barnett are relative long shots for collection of the year and best new craftsman, separately, their assignments are not as astonishing as they may appear.
All through the 2010s, the Grammys have been benevolent to autonomous music in extraordinary ways. It likewise offers that free marks some assistance with enjoying more campaigning draw than any other time in recent memory, permitting widely praised untouchable craftsmen to drop in on the chosen one gathering. Be that as it may, this can drum up some excitement. What happens when a craftsman like Beck beats a craftsman like Beyoncé?
Bulletin investigates at the Grammys' late alt minutes and their essentialness.
Arcade Fire Wins Collection of the Year
2011 was a watershed year for the Grammys. Independent rock had achieved a state of basic accord where the voters considered it sufficiently important not simply to name industry pariahs like Arcade Flame, yet to give them the night's greatest prize, as well. Blend Records, a North Carolina-based independent mark began by individuals from Superchunk, put Arcade Fire on the guide, and when it discharged their third LP, Suburbia, the band's emotional, overwhelming persona took the name to uncharted domain. Up against any semblance of Woman Gaga and Eminem, Arcade Fire some way or another beat the competition. The band acknowledged the honor in close skepticism and, maybe on the greatest adrenaline surge of their lives, performed "Prepared to Begin" to end the live broadcast
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